Discuss to most engineers concerning mixing with headphones and you'll hear a well known refrain: "don't". This is actually really good advice You have to be really meticulous with headphones as they will "lie" to you as regards to many areas of your music. Now and then, unfortunately, it can't be helped. Or it might be because you don't have access to a studio or you're on the road or just making a rough mix. If you really have to use headphones to mix your song, in this article are some tips to avoid fatal mistakes. eHome Recording Studio is a good place to go to get tips on putting together your own recording studio.

Digital Reverb on each input. Panning on each input. Effects are available for each input. Editing opportunities that could never be done with tape. There are transport options such as instant rewind that could never be done using tape. There isn't any waiting for the tape to spin its way back to the beginning. Press the RTZ button (return to zero) and you are back at the beginning instantly. Locations can be set throughout the recording and there is the ability to move forward or back instantly. Effects and editing possibilities are just to numerous to list. The features would cover several articles.

I'm pretty sure you want to know what the best best studio monitors for music professionals are. There is only one simple answer to this question and it is: How much money are you willing to spend? You can find "good" speakers as low as $150 per set or you can spend $300 for each speaker and sometimes even thousands of dollars for a single monitor.

All you need to understand is that higher SNR numbers translate into better audio reproduction. SNR is measured in decibels (dB). Speakers are typically rated at 65 dB, 75 dB, 90 dB, etc. You should try to get a speaker system with as high a SNR number as possible.

Many aspiring artist have come in to my studio with a CD demo of beats burned on their home computer and they almost always ask one of these questions; "Why does my demo sound so muddy and cluttered" or "Why doesn't it sound like a store bought CD"?

Midi controllers have given birth to the controller movement. They are becoming more of a ligament these days than just an accessory. You'll definitely need one for your laptop DJ setup.

A solid pair of headphones are another necessary investment for previewing and cueing your mix. Portability and comfort are the most important factors among other things.

I am satisfied and happy using this Adam A7X. The Adam A7X has surpassed all my high expectations. I managed to use this near field monitor in my own home studio. You can never find an excellent and professional studio monitor than this A7X. This is the best unit I got for myself. If you are saving money, try to take into consideration exploring and buying an Adam A7X.

Strong>Disclaimer #1-WARNING LABEL-This article is not meant to cure or diagnose any sonic problems of your hip hop track or rap beats masterpiece, but is intended to give you ideas of possible troubled areas to look at, and help you self diagnose things in the future from an engineering stand point. Whoa!

Add your keyboard elements to the mix. Is it happening? It's got to feel right, so if it doesn't, something will have to change in the arrangement. Maybe pitch the keys up an octave. That little tip can sometimes work miracles.

Studio monitors that are in mid price range are often best choice. They can be extremely good, and quite affordable of you looking to have monitors for years to come. For room with limited space these are top choice, as they don't lack the sound and are loud and clear enough to create a perfect mix.

Next are the best studio monitors for music professionals. The 2 lower priced bundles 1 and 3 (same bundles that have the USB Mbox 2) come with a pair of Fostex PMO.4 Powered best studio monitors for music professionals. These are slightly inferior to the M-Audio BX5a Active best studio monitors for music professionals that come with the slightly more expensive 2 and 4 bundles.

I know that sometimes it can be overwhelming to decide what to buy. This is my suggestion: if you have in your pocket $300, go listen and then buy the KRK rokit 5. Forget about other brands, because you will never get better sound that these monitors can deliver. Go check them out as soon as possible.

KRK Rokit 5: These beauties are my favorites. In fact, I bought them myself 1 year ago and they sound just great. Like the M-Audio, these are self-powered and are very flat. You actually hear on a CD what you are able to produce. You definitely get more of what you pay.

The second approach, which will be the focus of this article, is to record your CD in a rented studio. The big disadvantage of this approach is the expense: studio time is very expensive. Preparation is absolutely essential if you are using a studio and paying by the hour.

Do not just run down to your local music store and purchase all the sound proof materials that they have. In fact, please don't confuse the terms sound proof with acoustic treatments. Sound proofing is measured in what's known as an NC rating, aka Noise Criteria. It's close to impossible to make something sound proof and extremely expensive to attempt it.

It can be an analog or digital mixer but preferably a digital mixer. For my home recording I use the Roland VS880. It is old but still very effective. You can also plug directly into your audio card from a source such as a CD player. Break Out Boxes are your best bet if you only a have a few inputs. What ever your source is they should run through a mixer or breakout box first. A breakout box is essentially a way to connect multiple sources into a single source that you would feed your audio card then to the input of your audio card. Whatever your source is they should run through a mixer or breakout box first and then to the input of your audio card.

This is about it - if you get those things (and I was being absolutely serious about treating your room acoustically - that IS the most important thing you can do if you want your recordings to sound good) you will be well on your way to make your first radio hit at home. Remember, that it takes practice and patience, but it is an awesome feeling - listening to a finished song, all done by yourself.

With new technology coming out everyday it is impossible to tell you exactly which computer to buy, but I can make a suggestion. APPLE COMPUTERS are hands down the best. They have the fastest speeds, the most memory, and cost the least. Oh and there just plain cool.

Computers are very important for making music. You can mix music at home if you have a pc. But you just need a good configuration. There are lots of brands available that will provide you good PCs, both laptop and desktop at low prices. Brands that give good quality desktop are Apple iMac Desktop Computer with Intel Core, Apple Macpro recording package, etc. Laptops brands are, Apple MacBook Notebook computer with Intel Core, Rain Recording Live book L4 Laptop Audio Computer etc.

If you Google best best studio monitors for music professionals, you will always notice that a lot of website are talking about m-audio BX5a. But are they that good? I'm not sure. Well, I am. But what I wouldn't do is buying them as the best monitors on the market. To translate the sound that they emit you must be very good behind the console. The sound is not that pure and honest as they should be especially if you are a beginner. I love their design, but not their sound.

One of the most important pieces of equipment in your studio is monitors. Monitors are so important because they let you hear your music the way you recorded it. If you listen to your recorded songs on any regular speaker, you won't hear how it really sounds. That is because regular speakers are made to make your music sound good no matter what.

Many aspiring artist have come in to my studio with a CD demo of beats burned on their home computer and they almost always ask one of these questions; "Why does my demo sound so muddy and cluttered" or "Why doesn't it sound like a store bought CD"?

Now with pre-made drum loops and samples it is just a matter of inserting it where you want it and the recording software will line them up so it sounds perfect. Soon D.J. equipment will have MIDI.

This is a skill that only a few people in the recording industry have. But thanks to the power of the computer you can achieve the same level of a final master as the big boys. So get your D.J. equipment out, drop a track and start mastering.

The software out there at the moment are the likes of Cubase, Logic, ProTools, Fruity Loops etc... although these programs are adequate (more like industry standard & amazing!), they are geared towards the expert in music production and carry a hefty price tag plus learning curve. Baloo Blues is a good website for researching software as well as audio equipment.

Studio monitors are not created for loud sound. They are made for overall mix. This is perfect for engineers, producers, musicians, music lovers and studio owners. If you want to get the best quality and save a lot of money at the same time, you may want to consider buying Adam A7X.

As a side note, computer maintenance is very important. On my personal recording system, I have no other programs running either than recording related programs. I keep this computer very clean, and I keep the files that I am working with named properly, so that I can find them on down the road.

Big low end on your bass sounds. Technology advancements in speakers have allowed the listener to enjoy a wider spectrum of frequencies. If you took a pair of best studio monitors for music professionals from today, and compared them to some other speakers from 20 years ago - you'd hear a big difference. Primarily in the low end bass frequencies. With that in mind, make sure that you've got plenty of "boom" on your kick and bass samples.

If you have success with this then now I recommend purchasing some acoustic treatments for you room. Profession acoustic treatments are much more effective than your comforter. However once you find the problem areas and prove that you can reduce them with a comforter, then you can have the confidence that purchasing treatments is justified.

Now go grab a comforter, some thumb tacks, and maybe a friend to help you for the next step. Go stand on the tape or whatever you marked the floor with and start hanging the comforter on the walls that are parallel to each other in the exact space that you are in. You should immediately notice a decrease in flutter echoes. Repeat for all the flutter echos you found. If that comforter fixes the flutter, great! If not you might have an issue from floor to ceiling. In that case put down a rug or hang a comforter from the ceiling.

The second approach, which will be the focus of this article, is to record your CD in a rented studio. The big disadvantage of this approach is the expense: studio time is very expensive. Preparation is absolutely essential if you are using a studio and paying by the hour.

The last thing you need to add to the arsenal is an external sound card. Some mixers and hardware interfaces have these already built-in, so make sure you check and make sure you need one before shelling out the dough.